There is also a nice monospaced version available. Maison Neue is available in five weights-light, book, medium, demi and bold-each with matching italics. It’s a complete reworking of the original Maison, with updates made to take advantage of new display and reproduction technologies. Maison Neue is a grotesque sans-serif typeface designed by Timo Gaessner and released through Milieu Grotesque in 2012. The alternate caps are probably more suitable for display being a little wacky, Julia says that they are intended “to capture the variety and soul of Buenos Aires “. Montserrat comes in 3 variants right now, the original regular version, an alternate caps version and “ Subrayada “, which has built in underlining (and which I am not so keen on). Montserrat evokes the modernist style of the early 20th century, but it feels less formal than, say, Futura. I think Ars Maquette makes a great alternative to more widely-used sans-serifs such as Proxima Nova or Gotham. A display version of Ars Maquette is available which is rare for a grotesque font. Shamal and released through ARS Type in 2001. Each width consists of 16 fonts-seven weights with matching italics.Īrs Maquette is a grotesque sans-serif typeface designed by Angus R. There are three widths: Proxima Nova, Proxima Nova Condensed, and Proxima Nova Extra Condensed. The original six fonts (three weights with italics) have been expanded to 48 full-featured OpenType fonts. The Proxima Nova family is a complete reworking of Proxima Sans (1994).
#ALTERNATIVE TO HELVETICA NEUE LIGHT SOFTWARE#
This sans serif typeface comes formatted for graphic design software and publishing software like Adobe Photoshop, Adobe Illustrator, Adobe InDesign, CorelDRAW, QuarkXPress and Microsoft Office and it’s glyphs are compatible with Windows, Mac or Linux operating systems. Walkway font by this great type designer can be used to make a difference in web design, graphic design or illustration project portfolios. reworked the design for Linotype GmbH in Frankfurt, a major stockholder in Stempel. It was initially released as the Haas Neue Grotesk the name Helvetica was applied four years later by Walter Cunz when D. Hoffmann, director of the Haas Typefoundry, specified the design Max Miedinger drew it under his guidance. Edouard Hoffmann saw this typeface as an improvement on the late nineteenth century Berthold Gothic, Akzidenz Grotesk. Swiss 721 is a font from Bitstream library. Aktiv Grotesk is one of my personal favorite grotesques. ” The designers of Aktiv Grotesk wanted to create something in between Helvetica and Univers by removing the quirks from Helvetica and adding a bit of warmth to Univers. It has been described as a “ Helvetica killer. This makes for a more natural reading rhythm more commonly found in humanist and serif types.Īktive Grotesk is a grotesque sans-serif typeface released through Dalton Maag in 2010. Thereby allowing letters to be settled into their natural width. While some grotesks distort their letterforms to force a rigid rhythm, Roboto doesn’t compromise. At the same time, the font features friendly and open curves. It has a mechanical skeleton and the forms are largely geometric. So here you have it: 11 amazing Helvetica alternatives. Since everyone and their brother has been posting 10 alternative fonts, I thought to myself, “I’m gonna post 11 because, why not”.
It has tight spacing between the letters, which makes words appear not too long.ĭue to the fact that it is so good and so commonly used, a great and common quote of the modern-day graphic designer would be, “I need a font like Helvetica, but definitely not Helvetica”. Due to its tall x-height, the font is incredibly legible and relaxing to the eye to read. Instagram should start a new hashtag called #FontCandyFriday, because if that was a thing, this font and design would definitely be featured every Friday. All beautiful in their own way, but my personal favorite is the original. So let’s talk a little bit about the sleek design and unique characteristics of Helvetica. While doing some research for this article, I found that there are many derivatives of the font Helvetica. As the two competed, Helvetica came out victorious from the gruesome competition and later on became widespread and universally used font of the world!Ībout It’s Simple and Easy-to-Read Design This font, Helvetica, was designed to compete with another font called Akzidenz-Grotesk. It was initially released as Neue Haas Grotesk, designed for the Haas’sche Schriftgiesserei (Haas Type Foundry) in Switzerland. So as I was saying, Helvetica was designed and created by Max Miedinger, together with Eduard Hoffmann, in the beautiful year of 1957.
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